On Quiet review: Nikki Gemmell investigates the need for a bit of peace


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On Quiet


Nikki Gemmell


On Quiet. By Nikki Gemmell.

On Quiet. By Nikki Gemmell.


Photo: Supplied

Melbourne University Press, $14.99


When Matthew Arnold wrote of himself “… I am fragments”, he prefigured a modern condition that is a handy way into Nikki Gemmell’s meditative quest for “quietude”, which incorporates notions of space, tranquillity and calmness. Though thematically linked, it is episodic and could be called fragments from a modern woman’s life: whether running kids to school, contemplating Virginia Woolf wading into the Ouse (the “opposite of quietude”) or a last farewell to a sick friend. And noise doesn’t necessarily equate to sound, the sheer frenzy of things now, with the incessant intrusions of smartphones, even during sex, are expressions of a frantic life that denies us quietude. Only in fleeting moments when we come across a clearing in the clutter of contemporary living – alone in the car, in the bush, under a starry sky – do we feel that.


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